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A division of the Harvard University Library, the Harvard Film Archive is one of the largest and most significant university-based motion picture collections in the US, with over 40,000 audio visual items, paper records & manuscript collections from filmmakers and distribution companies, and nearly one million still photographs, posters and other promotional materials. The collection includes films from around the world and from almost every period in film history. Through a combination of preservation and access, the HFA supports the research and study of cinema at Harvard and beyond.

 

The HFA makes moving image material from its collection available to researchers and scholars for individual on-site viewing appointments as well as for classroom and public screenings. The HFA's collection of paper materials, including the documentation of individual filmmakers as well as promotional materials such as posters, film stills and ephemera are accessible to Harvard affiliates as well as to outside researchers.

 

For more information on how to arrange access to our collections, please see  Access Our Collections

 

HFA collection strengths lie in national cinemas, including films from the United States, France, Japan, Germany, Italy, Great Britain, Russia, Ukraine, Taiwan and Argentina; American studio and independent features; American, European and Japanese experimental film; animation; ethnographic film; documentary and diary film. In addition to features and art films, the collection contains many examples of non-theatrical, or "useful" cinema, which covers motion picture history outside theatrical fiction film, such as educational and industrial shorts, home movies, newsreels and government films. Our non-moving image collections include a wide range of promotional materials including film stills, posters and other flat graphics, as well as a number of manuscript collections documenting the work of individual filmmakers such as Godfrey Reggio, Anne Charlotte Robertson, Warren Sonbert, Hollis Frampton, Robert Gardner, Suzan Pitt and Caroline Leaf.

 


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